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The first official poster for Rebecca’s upcoming role in Christine has been released, and can now be found in the gallery.

Christine (Rebecca Hall) is an ambitious 29-year-old news reporter in Sarasota, Florida, circa 1974. Relentlessly motivated to succeed, she knows she has talent, but being a driven career woman in the 1970s comes with its own challenges, especially when competition for a promotion, unrequited love for a coworker, and a tumultuous home life lead to a dissolution of self.

With ratings in the cellar, WZRB’s station manager issues a mandate to deliver juicier and more exploitative stories, a style firmly at odds with Christine’s serious brand of issue-based journalism. To accomplish her goals, she must overcome her self-doubt and give the people what they want. Christine is a hypnotic and arresting portrayal of a woman at a crossroads.

Labels: Christine, Photo Updates, Projects

THE PLAYLIST – It’s never explicitly stated that Hunter Miles is a member of the 27 Club, but that hasn’t stopped the folk musician (“folk” in terms of both his hero status and his particular brand of strummy rock) from getting grouped with other musicians who left this world too soon. The character at the heart of Sean Mewshaw’s “Tumbledown” is already dead and buried by the time the film opens — in fact, we visit his grave quite frequently, much like his many fans — but his specter looms over the entire feature, as does his cut-short legacy. A moody (maybe? or is that simply how a rocker of his ilk is perceived by the public?) singer/songwriter in the vein of Bon Iver and Elliott Smith, Hunter crafted exactly one solo album (one “perfect” album, as one character observes) before dying in an apparently freak hiking accident. He also left behind exactly one widow (Rebecca Hall) who, quite understandably, hasn’t quite gotten over losing her husband.

Hannah’s grief is already years old by the time we first meet her, but she remains steeped in it by trade: she’s trying to write Hunter’s biography. The process is trying, terrible, and not exactly fruitful, but Hannah is determined to get it done, both out of love and maybe a little bit of obligation. There’s one other problem, though, a big, bearded one, because someone else wants to write about Hunter, too, and he just might be better suited to the task.

As scholar/writer/professor Andrew McCabe, Jason Sudeikis subtly mutes his charm — he’s still occasionally smooth and genuinely engaging, but it’s all turned down a touch. What works best about Sudeikis’s work in “Tumbledown” is his easy spirit, his ability to calm a continually riled up Hannah, and to sell it with a smile. Hannah is initially wary of Andrew — fine, she’s totally terrified of him and massively rude at just about every turn — but despite those early misgivings, Andrew isn’t a creep, and when he tells Hannah, “I want to make your husband immortal,” you cannot help but believe him.

Sudeikis’ ascension to romantic leading man is just starting to ratchet up, thanks to turns in smaller features like both “Tumbledown” and the raunchy Sundance charmer “Sleeping With Other People,” but it’s pulling some solid, sensitive work out of the typically comedic actor, the kind of stuff that works necessary magic on big screen romances. Hall’s work here is less transcendent, but she shades Hannah and her copious emotions with skill, and even during Hannah’s worst moments — and, in between her lying, stealing, and occasionally dirty mouth, she’s got plenty — she emerges as a sympathetic and complex woman who refuses to conform to traditional expectations of either grief or womanhood.

Eventually, the pair decides to pen Hunter’s biography together, an endeavor that’s destined to dig up a whole mess of feelings and secrets, both old and new. The script, penned by Mewshaw and his own wife, Desiree Van Til, contains more than a few red herrings, but the film is at its best when it aims for straightforward charm, especially when Mewshaw allows Sudeikis and Hall to fumble and bumble around their feelings in equal measure. Although “Tumbledown” inevitably turns into a romance, that part of the pair’s relationship is the least earned and the least compelling portion of the film. The pair is not without chemistry, however, and while the romance doesn’t quite sing, it’s not all flat notes either.

“Tumbledown” isn’t free of many of the traps and tropes that pervade romantic comedies, but it frequently takes the time to walk through and explore them with an even, sensitive touch. (Only “frequently,” however, as the film does include one of the genre’s worst elements: underwritten supporting characters. Joe Manganiello adopts a baffling Maine accent in order to woo Hannah, while Diana Agron is confined to the “ditzy, terribly mannered” girlfriend role. Both actors deserve much better, but at least Manganiello appears to have enjoyed his role.)

Lensed by Seamus Tierney, the film makes wonderful use of the stunning Maine scenery, and the influence of nature is felt in every frame. Complete with music by Damien Jurado — who “plays” Hunter in music only, pictures that pop up in the film are of another actor — “Tumbledown” strikes a delicate, moving tone that hits more high notes than lows. [B]

Labels: Projects, Tumbledown

Great news! Hopefully there will be further news regarding the film’s release date very soon.

VARIETY – The Orchard has acquired North American distribution rights to “Christine,” the Sundance drama starring Rebecca Hall as a disturbed broadcast journalist.

The film, directed by Antonio Campos, received a warm reception at Sundance when it premiered on Jan. 23, particularly for the lead performance by Hall. It’s based on the 1974 story of Florida anchor Christine Chubbuck.

The movie is written and produced by Craig Shilowich, and Melody C. Roscher served as another producer. Executive producers include Sean Durkin, Josh Mond, Robert Halmi, Jr. and Jim Reeve.

The Orchard, a subsidiary of Sony Music Entertainment, also bought the coming-of-age dramedy “The Hunt for Wilderpeople” and the autism documentary “Life, Animated” out of Sundance.

The deal was negotiated by UTA Independent Film Group and WME.

Labels: Christine, Projects

I have updated the gallery with screen captures from The Gift–in which Rebecca plays Robyn, and stars alongside Joel Edgerton and Jason Bateman. I really enjoyed this film, and although I’m a sucker for a psychological thriller at the best of times, seeing Rebecca in a really great role alongside two other great actors really sealed the deal for me. The story has plenty of twists and turns and an ending that is open to interpretation. Click the thumbnails below to take a look at the captures.



On an unrelated note, you may have noticed the site at long last has a new look. As much as I loved the previous themes, they had been up for quite a while and as I had been slacking with updates for a while, I figured it was time for some inspiration to get the site back on track. The finishing touches are still being added, but for now, I hope you’ll like the changes. I also have plenty to work on content-wise, you can expect to (finally!) see some filmography pages and other additions very soon. Thanks for being patient with me.

Labels: Photo Updates, The Gift

THE GUARDIAN – The actor on starring in an acclaimed Sundance drama about Christine Chubbuck – the news anchor who achieved notoriety in the 70s for killing herself on live TV – and why she’s rarely offered parts this complex.

Hi, Rebecca! How are you?
Full of a head cold, but otherwise fine.

Sundance-related?
I think so. I think it’s just travelling and generally being over-adrenalised and happily pulled in too many directions. But yes, cold!

The last time you were in Park City was with the broad comedy Lay the Favourite (1).
It’s a completely different thing to go with a film that doesn’t have distribution (2); it’s a really different animal. I had no experience of that. The two I came with before both had distribution; premiering them there was more like just having a coming-out party. There were stakes with Christine. It was also playing in the competition, which was a different thing as well. There was a lot more nerve involved. You wait for reviews, for buyers to circle it, and then you wait for the juries. It’s a nerve-racking process.

I was at the Sundance premiere of Christine: did you sit through the entire movie?
I did, yes! I saw a cut, but it wasn’t with music. And I think there is a difference when you see something with an audience, so I wanted to sit through it. I don’t think I’ll ever do it again. I found it really hard.

It’s a tough watch for anyone. Watching it took me back to the space I was in when I was doing it. I wasn’t really conscious of it while I was watching, but halfway through I thought: God, I’ve got this really bad tension, and why is my shoulder seizing up? My posture was changing in my seat as I was watching.

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Labels: Articles and Interviews, Christine

Great to see this confirmed! As you’ll know, Rebecca previously worked with Brian Crano in A Bag of Hammers (love that movie) – so I’m very excited to see this one. Also, it’s worth nothing that both Morgan Spector (Rebecca’s husband, she worked alongside him in Machinal) and Jason Sudekis (Tumbledown) are part of the cast.

DEADLINE – Rebecca Hall and Downton Abbey’s Dan Stevens are starring in a new romantic comedy Permission, which is being shot in New York by writer-director Brian Crano. Hall is starring in Christine, which premiered at this year’s Sundance Film Festival. Stevens was in the breakout Sundance hit The Guest and next will appear as the Beast in Disney’s live-action Beauty & The Beast.

In Permission, the duo will portray a couple who decide to sleep with other people for the sake of their relationship. The film also stars Gina Gershon, Francois Arnaud, Morgan Spector, Bridget Everett, David Joseph Craig, Sarah Steele and Jason Sudeikis.

Hall also recently signed up alongside Michael Shannon and Ben Foster to star in Meredity Danluck’s State Like Sleep.

Permission is a Ball and Chain and Picture Films production, in association with Paper Trail. The producers are Margot Hand, Hall, Giri Tharan and Joshua Thurston. Erika Hampson, Michael Klein and Crano are the executive producers.

WME is repping worldwide rights. Hall and Stevens are both repped by WME and Julian Belfrage Associates. Stevens is also repped by Peikoff Mahan. Crano is repped by Brillstein Entertainment Partners and Sloan Offer. Gershon is repped by Innovative Artists and Untitled Management. Francois is repped by APA and Lasher Group.

Labels: Permission, Projects

Labels: Videos

As many of you know already, Rebecca has been in Park City, Utah for the past few days promoting her role in the upcoming Christine-in which she plays the title character, Christine Chubbuck. The critical response to her performance has been overwhelmingly positive (many calling it the best of her career so far). It’s always great to see her receive high praise–and it’s no less than she deserves. Hopefully we’ll be seeing some material from the film very soon.

INDIEWIRE – The equally somber and shocking tale of Christine Chubbuck, the 29-year-old Sarasota news anchor who shot herself on live television during a broadcast in 1974, has an inherent appeal. That much has been demonstrated at this year’s Sundance Film Festival, where the story has been featured in two projects — Robert Greene’s meta-documentary “Kate Plays Christine” and Antonio Campos’ more straightforward narrative “Christine,” starring Rebecca Hall in the lead role. While Greene’s project delves into the dicey moral territory of recreating Chubbuck’s suicide, Campos’ version doesn’t hesitate.

An expertly crafted noir-like depiction of Chubbuck’s descent into psychological duress, Campos’ grim character study makes up for an occasionally stifling icy tone with a stunning lead performance by Hall, who turns the would-be suicidal anchor into a figure worthy of empathy rather than outright pity.

Like Campos’ earlier features “Afterschool” and “Simon Killer,” the new movie revolves around a tormented figure gradually led to a violent act. While the other movies treated this descent with a certain degree of remove, Hall brings an urgency to the material by making Chubbuck’s poker-faced figure into a vehicle for media criticism. In a captivating opening scene, she sits in an empty studio, pretending to interview Richard Nixon as she addresses an empty chair. The image succinctly illustrates her desire to report on major issues taking place in the world around her, and the absence of interest from the station to pay much attention.

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Labels: Christine, Projects