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Be sure to check out this beautiful new photoshoot of Rebecca taken for The New Potato–along with the accompanying interview that can be found below. Enjoy!

THE NEW POTATO – As neurotic New Yorkers ourselves, we first fell in love with Rebecca Hall when she graced the screen in Vicky Cristina Barcelona as the newest Woody Allen heroine. She continued to be a favorite of ours as we watched her moved seamlessly through movies like The Town and Transcendence without a moment’s pause. This week, her newest movie – a thriller called The Gift – comes out and is further proof of this Brit’s Meryl-Streep-like capability to nail a wide variety of roles. But enough about show business, we sat down with Hall on all things beauty, food and various pieces of life advice. We also got a quote from Woody…obviously.

From start to finish, what would be your ideal food day?

I’d wake up to the sound of fresh coffee beans being ground. The beans would be from a place called Workshop in Clerkenwell, London. It may be my favorite cup of coffee. Whenever I pass through I stockpile as many bags into a suitcase as is legal. I’d drink about a gallon of this, and then realize I’d have to eat something to prevent adrenal exhaustion. This would be German mestemacher bread toasted in olive oil, sliced avocado, a fried egg and Sriracha. Lunch would be a big salad with lots of kale (does anyone else find it peculiar that ten years ago kale was exclusively used as the decoration for sushi platters?) and maybe some grilled chicken and a bunch of exciting crunchy things that you could just as likely feed a bird. Dinner would be cooked by my friend Brian, who is an amateur chef. He does a lemon fettuccine and sous vide steak that guarantees a blissed out food coma. We’d drink a bottle of chilled Cialla Bianco, Ronchi di Cialla 1997. I’m not really as much of a wine buff as this would suggest. I discovered that one by accident at I Sodi in New York after being hypnotized by the amber color of the wine a man with a tattoo on his head was drinking at the bar. It tastes almost as exotic too.

You come from a theater/entertainment family. Is it fun all being in a similar business?
It has its moments. It can be great that we all understand what one another does, but it can be exhausting also.

When did you know you wanted to become an actress? Who were your inspirations?
My mother [Maria Ewing] was one of the greatest performers I ever saw as a kid – and I watched her all the time – so there is no question she was an inspiration. Pretty soon after that I discovered Bette Davis doing the scene when she uses cold cream to take off her stage makeup in All About Eve. Ruined.

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Labels: Articles and Interviews, Photo Updates, Photoshoots

THE HOLLYWOOD REPORTER – In Tumbledown, Rebecca Hall plays a young woman struggling to move on after the death of her husband, an acclaimed folk singer.

On the surface, the film doesn’t appear to be the most lighthearted fare, but Hall read it as a welcome relief. “I had just done a very heavy theatrical piece that involved me getting in the electric chair seven nights a week,” she told The Hollywood Reporter on the red carpet before the film’s world premiere during the 2015 Tribeca Film Festival on Saturday. “I was looking for something funny.”

Which isn’t to say that Tumbledown is afraid to explore darker subjects, she continued. “I’m a grieving widow. It’s not a straightforward comedy at all. But it’s more comedy than anything else.”

Jason Sudeikis, the romantic lead opposite Hall, plays a college professor of American studies with a “deep interest and passion in Rebecca’s deceased husband — he’s attempting to learn his life story through her eyes,” he told THR. The pair are tasked with writing his biography together, as romantic feelings slowly take root.

The project stewed on the back burner for years until, suddenly, all the pieces fell into place. “Jason was the first one who really committed and stuck with us for a couple years while he went on his Horrible Bosses train,” producer Kristin Hahn told THR. “Rose Byrne was onboard for a while, but we couldn’t make the schedules work. Jason finally had a window where he was like, ‘I can do it now before I have a baby. If we wrap on a certain day, I will do the movie.’ We had to go fast.”

For first-time director Sean Mewshaw and his wife, first-time screenwriter Desi Van Til, working on the film has spanned the entire length of their relationship. “Did we bring drafts of the script on our honeymoon?” Van Til asked her husband on the red carpet. “We’ve been married for eight years — we’ve been working on this for a long time.” Joked Mewshaw: “It’s lucky that we have kids, so now that the movie is over, we still have something to talk about!”

While Tumbledown is very much a rom-com, it takes a fresh approach on an old dynamic. “In a weird way, I thought of the movie as a love triangle between two people who are alive and one who is dead,” Mewshaw said onstage after the screening. “They both love the same man, and I was interested in trying to find a way that that brought them together.”

The fest has proved an action-packed marathon for Sudeikis, who recently shot an AT&T spot for the fest and attended the premiere of fiancee Olivia Wilde’s film Meadowlands the night before. Wilde, in turn, was on hand to support Sudeikis and the film, alongside fellow castmember Dianna Agron and guests Josh Lucas and Maggie Castle.

Labels: Articles and Interviews, Tumbledown

HUNGER – Rebecca Hall’s decision to drop out of university in her final year to pursue acting may have been a risky one, but the gamble has certainly paid off. Although, with Sir Peter Hall, founder of the Royal Shakespeare Company, and opera singer Maria Ewing as parents, perhaps it wasn’t really that much of a gamble – the stage seems to be in her blood.

In 2008, following a number of theatre roles, and smaller parts in Starter for 10 and The Prestige, Hollywood came knocking and she landed the part of good girl Vicky in Woody Allen’s Vicky Cristina Barcelona, for which she picked up a Golden Globe nomination. Then came Frost/Nixon, The Town and The Awakening, and her BAFTA-winning portrayal of a traumatised mother in Red Riding: In The Year of Our Lord 1974. And last year Rebecca proved that she can also tackle blockbusters when she took on brainy biologist Maya Hansen in Iron Man 3. With a starring role opposite Johnny Depp this year, it looks like she should get used to having Hollywood at her door.


I identify more with British culture because I grew up here, and I went to school and university here. I’m a Londoner and I always have been. It doesn’t mean I’m not very at home in American culture, though. I have an understanding of it, and there’s a part of me that feels fairly American when I go there, but I feel home is home and that’s London.

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Labels: Articles and Interviews, Photo Updates, Photoshoots

Empire recently caught up with Rebecca to discuss the movies that have impacted her life. It’s a great read–be sure to take a look if you haven’t already.

What was the first movie you ever saw?
The one I remember watching a lot when I was tiny is probably The Wizard Of Oz. My mum’s American and she raised me on the Golden Age of Hollywood. I didn’t watch TV or a lot of films that were of my time..

What was the movie that inspired you to go into films?
When I was eight, nine, ten years old I was obsessed with All About Eve. It’s a film about theatre people, so I suppose it inspired me to act. And I just thought Bette Davis was incredibly… cool (laughs). I think it was something about her combination of larger-than-life campery and a raw humanity that doesn’t have any vanity, really. That’s what interested me about film: the capacity to do great glamour and something that can be very ugly and very true at the same time.

What was the last movie you saw that reminded you of your childhood?
Kind Hearts And Coronets. Not that it reminds me of my childhood, but it reminds me of sitting with my dad (Peter Hall) and him saying, “You should watch this because it’s a great film.” I just thought, “This is a crazy film and it’s brilliant!” It’s still one of my favourites.

What was the last movie that made you cry with laughter?
[Jackass Presents:] Bad Grandpa. I saw it a couple of days ago and I did weep a little. Especially the bit where he’s lying on that bed that he’s trying to sell at a junk sale and it starts folding him in two… I thought I was gonna be sick I was laughing so hard.

What was the last movie that made you fight back the tears?
Blue Is The Warmest Colour. I loved it.

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Labels: Articles and Interviews

NUVO – Strapped into an electric chair isn’t a scenario most actors would envisage when planning their Broadway debut, so it’s a testament to Rebecca Hall’s drive that she is “electrocuted” onstage six evenings and two matinees a week for Machinal.

The drama tackles a controversial and much-sensationalized case surrounding the trial and execution of Ruth Snyder in the 1920s, the first woman to be condemned to the electric chair in the state of New York. Hall plays the Young Woman (metaphorically the Everywoman), an unfulfilled stenographer. Throughout the show’s run, the actress has had to stay focused on a difficult script written with a poetic cadence that would drive the most seasoned thespian up the wall. “[When I first] tried to learn one of the verses, I hurled the play across the room,” Hall says with a straight face, before pretending to throw an imaginary script and crumbling into laughter.

And that—bursting into laughter, not slinging screenplays—is something Hall does often, which makes another of her tendencies, taking on challenges, that much easier. The 31-year-old Brit has logged 10 plays (especially slanting toward the Shakespeare sort) and 15 films, including Woody Allen’s 2008 film Vicky Cristina Barcelona, her breakout role, and more recently, director Shane Black’s blockbuster Iron Man 3, where Hall shared the screen with Gwyneth Paltrow and Robert Downey Jr. This April, she will appear in Wally Pfister’s directorial debut Transcendence, a science-fiction blockbuster, proving that the steadily growing spotlight on Hall has been set to a full-strength glow. For an actress who once guided her career choices using a three-to-one movie-to-play ratio, she admits that’s a plan of the past. “I got offered movie roles that kept getting better and better,” she says. “I couldn’t say no.” Still, her ability to seamlessly transition from stage to silver screen remains, as does a craving for variety and substance. And that’s what brings her to New York.

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Labels: Articles and Interviews

GOTHAM MAGAZINE – “I’d like to tell you why I wanted to do this interview,” says actor and director Ethan Hawke, a two-time Academy Award nominee who recently starred in a Lincoln Center production of Macbeth.

“A couple of years ago, I had the chance to do Shakespeare and Chekhov around the world with Rebecca,” he says. “I walked away from the experience feeling as if I had worked with a young Katharine Hepburn or Vanessa Redgrave. It’s very rare to run into somebody who is as smart, humble, and gifted as she is.”

Hawke and Hall had teamed up for a 10-month road tour for the Bridge Project that took them from New Zealand to London and Athens. Hall is best known in this country for her roles in Woody Allen’s Vicky Cristina Barcelona, Ben Affleck’s The Town, and Iron Man 3. But the theater is her natural birthright—her father is famed director Sir Peter Hall, founder of the Royal Shakespeare Company. She is currently seeing another theater maestro, Sam Mendes.

Hawke says his friend “has everything it takes to be a really serious artist. I think it’s really lucky she’s coming to New York and doing this play.” Hall plays the lead in the stark drama Machinal, written by Sophie Treadwell, inspired by the case of convicted and executed murderer Ruth Snyder. Hall stars as the young woman charged with the crime.

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Labels: Articles and Interviews

Here’s the accompanying article and interview from Rebecca’s feature in Backstage–it’s a great read so be sure to take a look if you haven’t already.

BACKSTAGE – First things first: The title is pronounced “mash-in-ALL.” Not that star Rebecca Hall, director Lyndsey Turner, or the rest of the cast and crew necessarily knew that for certain when they all signed on to present the first revival of Sophie Treadwell’s “Machinal” since its 1928 Broadway debut (featuring a young Clark Gable).

After going back and forth for days between every conceivable pronunciation, Turner brought in a letter she discovered in which Treadwell quite plainly stated she wanted the title said with a soft “sh.” “But the moment they put it on Broadway, the people who did it said, ‘I think it would be better as “MACK-in-all.” ’ And that’s sort of her story, isn’t it?” says Hall. “A bunch of people going, ‘No, you’re probably wrong.’ And so we make quite a concerted effort to go, ‘No, I think you’ll find she was a person and she did have some opinions on her own play. Even if she was a woman!’ ”

That anecdote is particularly telling, given the subject of the play in question. Hall stars as Helen, a young woman ground down by an oppressive, repressive society that limits the options of women. Forced into marriage with an older man (Michael Cumpsty) as much by financial considerations as by the confusion of friends and family over why she wouldn’t leap at the chance for escape into a materialistically better life, Helen eventually takes a lover (Morgan Spector), murders her husband, and goes to the electric chair. And though the play (loosely based on the Ruth Snyder trial that inspired “Double Indemnity”) was written in the late ’20s, Treadwell was so far ahead of her time that it feels shockingly contemporary. Just don’t expect a razzle-dazzle piece of Jazz Age homicide like “Chicago” playing up the street.

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Labels: Articles and Interviews, Photo Updates, Photoshoots

Rebecca is looking gorgeous in this new photoshoot for The Sunday Times Style magazine. I have added two photos from the shoot, which can be viewed in full by clicking the image below. In addition, the full interview can be read below–it’s a really great read.

Rebecca Hall is a very attractive woman, not least because of her laugh. A big, fat, velvety laugh, where she throws her head back and bares her big white teeth — one she is employing now, as she tells of a play she performed while studying for an English degree at Cambridge. “It was called The Breast of a Woman,” she explains, “and in the finale I had to take off my robe and crack a communion wafer on the inside of my thigh, walk around for a good five minutes totally naked, then have this simulated sex scene. Some idiot thought it would be really good to have a pair of rabbits in a cage on the stage, and they were so excitable, they completely upstaged me. Ha-ha-ha! I still wake up in a cold sweat that someone might have videoed that.”

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Labels: Articles and Interviews, Photo Updates, Photoshoots